English songs : 1625-1660 / transcribed and edited by Ian Spink
(Musica Britannica : a national collection of music ; 33)
データ種別 | 楽譜 |
---|---|
版 | 2nd, rev. ed |
出版情報 | London : Stainer and Bell , 1977 |
本文言語 | 英語 |
大きさ | 1 score (xxiv, 211 p.) : facsims. ; 33 cm |
所蔵情報を非表示
所在 | 巻 次 | 請求記号 / 配架番号 | 資料ID | 状 態 | コメント | ISBN | 刷 年 | 利用注記 | 資料請求用紙 | 予約 |
---|---|---|---|---|---|---|---|---|---|---|
(芸大) 3F書庫楽譜 MD |
|
/ MD5-C069 | 1238100533 |
|
0852494742 |
|
禁帯出 |
書誌詳細を非表示
資料種別 | 楽譜(印刷) |
---|---|
内容注記 | Nicholas Lanier: Weep no more my wearied eyes Fire! fire! Lo here I burn (Campian) Silly heart forbear No more shall meads be deck'd with flowr's (Carew) Mark how the blushful morn (Carew) Love and I of late did part Like hermit poor in pensive place obscure (Raleigh) Neither sighs, nor tears, nor mourning Stay, silly heart, and do not break Nor com'st thou yet, my slothful love: Recitative Tell me, shepherd, dost thou love? Dialogue Robert Ramsey: What tears, dear Prince, can serve (Raleigh) Go perjur'd man! and if you e'er return (Herrick) Thou may'st be proud (Herrick) Howl not, you ghosts and furies, while I sing: Dialogue (Herrick) Alfonso(?) Bales: Chloris sigh'd, and sang, and wept (Pembroke) Stephen Mace: Weep no more, nor sigh, nor groan (Beaumont & Fletcher: The Queen of Corinth) John Jenkins: Cease not, thou hear'nly-voiced glorious creature Why sigh'st thou, shepherd? Dialogue (Randolph) John Wilson: Wherefore peep'st thou, envious day? (Donne?) Take, O take those lips away (Beaumont & Fletcher: The Bloody Brother) In a maiden time profess'd (Middleton: The Witch) Languish and despair, my heart! Turn, turn thy beauteous face away (Beaumont & Fletcher: Love's cure) Pity of beauty in distress As tuned harp strings sad notes take Since love hath in thine and mine eye Awake, awake! The morn will never rise (Davenant) In the merry month of May (Breton) Thou great and good! Could I but rate (Montrose) From the fair Lavinian shore In a season all oppressed Henry Lawes: I rise and grieve Speak, speak, at last reply Or you, or I, nature did wrong! Hard-hearted fair, if thou wilt not consent Sweet stay awhile; why do you rise? (Donne) Break heart in twain! Fair Ronile may see Transcendent beauty, thou that art O let me groan one word into thine ear (Pembroke) Slide soft you silver floods Out upon it, I have lov'd (Suckling) Come from the dungeon to the throne (Cartwright: The Royal Slave) Come my sweet while ev'ry strain (The Royal Slave) Now the sun is fled (The Royal Slave) Thou, O bright Sun, who see'st all (The Royal Slave) Wert thou yet fairer than thou art Whither are all her false oaths blown? (Herrick) 'Tis but a frown, I prithee let me die No, no, fair heretic, it cannot be (Suckling) Will you know my mistress' face? Sleep soft, you cold clay cinders that late clad Bid me but live, and I will live (Herrick) Go thou gentle whisp'ring wind (Carew) When thou, poor excommunicate (Carew) Have you e'er seen the morning sun (Hughes) O tell me love! O tell me fate! (Hughes) Beauty and love once fell at odds O turn away those cruel eyes (Stanley) As Celia rested in the shade: Dialogue (Carew) John Hilton: Thou may'st be proud (Herrick) Wilt thou forgive the sin where I begun? (Donne) Am I despis'd because you say (Herrick) Hand golden sleep upon her eyelids fair If that I for thy sweet sake You meaner beauties of the night (Wotton) Rise, princely shepherd, and be arbiter: Dialogue Charles Coleman: Wake my Adonis, do not die (Cartwright) Bright Aurelia, I do owe Wilt thou be gone, thou heartless man Change, Platonics, change for shame How am I chang'd from what I was When Celia I intend to flatter you Did not you once, Lucinda, vow: Dialogue Simon Ives: Will Chloris cast her sun-bright eyes Go bid the swan in silence die Shepherd well met, I prithee tell: Dialogue William Lawes: Why should great beauty virtuous fame desire (Davenant) Why so pale and wan, fond lover? (Suckling: Aglaura) No, no, fair heretic, it needs must be (Aglaura) To whom shall I complain; to men or gods? Pleasures, beauty, youth attend ye (Ford: The Lady's Trial) Faith, be no longer coy Gather ye rosebuds while ye may (Herrick) Come Adonis, come away (Tatham) Charon, O Charon! Hear a wretch oppress'd: Dialogue William Webb: As life what is so sweet Go and bestride the southern wind Pow'rful Morpheus, let thy charms Victorious beauty, though your eyes (Townshend) Since 'tis my fate to be thy slave Look back Castara from thine eye (Habington) William Caesar (alias Smegergill): Blow gently passion in my fair one's breast If any live that fain would prove Forbear fond swain, I cannot love: Dialogue George Jeffreys: Drowsy Phoebus, come away: Dialogue (Hausted: The Rival Friends) Have pity, grief; I cannot pay (The Rival Friends) Cruel! but once again (The Rival Friends) John Atkins: Wert thou yet fairer than thou art This lady ripe and fair and fresh (Davenant: The Just Italian) When the chill Cherocco blows (Bonham) I can love for and hour when I'm at leisure Thomas Brewer: Mistake me not, I am as cold as hot O that mine eyes could melt into a flood Thomas Blagrave: What means this strangeness now of late? (Aytoun) John Taylor: Tell me not that I die, or live by thee (Tatham) Lay that sullen garland by thee Thomas Charles: Why will you swear I am forsworn (Lovelace) Jeremy Savile: I will not trust thy tempting graces (Stanley) Edward Coleman: Why, dearest, should you weep (Cotton) The glories of our birth and state (Shirley: Ajax and Ulysses) John Goodgroome: Fret on, fond Cupid, curse thy feeble bow Dost see how unregarded now (Suckling) Lady Mary Dering: In vain, fair Chloris, you design (Dering) Robert Smith: He that did ever scorn love's might John Cave: Now Whitehall's in a grave (Lovelace) John Gamble: The morning doth waste Roger Hill: Admit, thou darling of mine eyes (Carew) Alfonso Marsh: Ah Chloris! would the gods allow Anonymous: Must your fair inflaming eye If, when I die, to hell's eternal shade (Fowler?) You meaner beauties of the night (Wotton) Sing aloud harmonious spheres (Strode?) Go thy ways since thou wilt go Appendix: Like hermit poor (Lanier): synoptic text of variant versions |
一般注記 | Unfigured bass realized for keyboard instrument, guitar, or lute Introd.: p. xv-xx ; textual commentary: p. 192-207 "Published for the Musica Britannica Trust established by the Royal Musical Association." |
著者標目 | Spink, Ian |
件 名 | FREE:For 1-5 voices and continuo FREE:Part-songs, English FREE:Songs with continuo FREE:Vocal duets with continuo FREE:Music -- England -- 17th century 全ての件名で検索 |
書誌ID | 6000298459 |
ISBN | 0852494742 |
楽器編成 | For 1-5 voices and continuo |
類似資料
この資料の利用統計
このページへのアクセス回数:4回
※2020年9月23日以降
全貸出数:0回
(1年以内の貸出:0回)