戻る

この情報を出力する

このページのリンク

他の検索サイト

English songs : 1625-1660 / transcribed and edited by Ian Spink
(Musica Britannica : a national collection of music ; 33)

データ種別 楽譜
版 2nd, rev. ed
出版者 London : Stainer and Bell
出版年 1977
本文言語 英語
大きさ 1 score (xxiv, 211 p.) : facsims. ; 33 cm

所蔵情報を非表示

大阪芸大図書館
(芸大) 3F書庫楽譜 MD
　/　MD5-C069 1238100533
0852494742
禁帯出

書誌詳細を非表示

資料種別 楽譜（印刷）
内容注記 Nicholas Lanier: Weep no more my wearied eyes
Fire! fire! Lo here I burn (Campian)
Silly heart forbear
No more shall meads be deck'd with flowr's (Carew)
Mark how the blushful morn (Carew)
Love and I of late did part
Like hermit poor in pensive place obscure (Raleigh)
Neither sighs, nor tears, nor mourning
Stay, silly heart, and do not break
Nor com'st thou yet, my slothful love: Recitative
Tell me, shepherd, dost thou love? Dialogue
Robert Ramsey: What tears, dear Prince, can serve (Raleigh)
Go perjur'd man! and if you e'er return (Herrick)
Thou may'st be proud (Herrick)
Howl not, you ghosts and furies, while I sing: Dialogue (Herrick)
Alfonso(?) Bales: Chloris sigh'd, and sang, and wept (Pembroke)
Stephen Mace: Weep no more, nor sigh, nor groan (Beaumont & Fletcher: The Queen of Corinth)
John Jenkins: Cease not, thou hear'nly-voiced glorious creature
Why sigh'st thou, shepherd? Dialogue (Randolph)
John Wilson: Wherefore peep'st thou, envious day? (Donne?)
Take, O take those lips away (Beaumont & Fletcher: The Bloody Brother)
In a maiden time profess'd (Middleton: The Witch)
Languish and despair, my heart!
Turn, turn thy beauteous face away (Beaumont & Fletcher: Love's cure)
Pity of beauty in distress
As tuned harp strings sad notes take
Since love hath in thine and mine eye
Awake, awake! The morn will never rise (Davenant)
In the merry month of May (Breton)
Thou great and good! Could I but rate (Montrose)
From the fair Lavinian shore
In a season all oppressed
Henry Lawes: I rise and grieve
Speak, speak, at last reply
Or you, or I, nature did wrong!
Hard-hearted fair, if thou wilt not consent
Sweet stay awhile; why do you rise? (Donne)
Break heart in twain! Fair Ronile may see
Transcendent beauty, thou that art
O let me groan one word into thine ear (Pembroke)
Slide soft you silver floods
Out upon it, I have lov'd (Suckling)
Come from the dungeon to the throne (Cartwright: The Royal Slave)
Come my sweet while ev'ry strain (The Royal Slave)
Now the sun is fled (The Royal Slave)
Thou, O bright Sun, who see'st all (The Royal Slave)
Wert thou yet fairer than thou art
Whither are all her false oaths blown? (Herrick)
'Tis but a frown, I prithee let me die
No, no, fair heretic, it cannot be (Suckling)
Will you know my mistress' face?
Sleep soft, you cold clay cinders that late clad
Bid me but live, and I will live (Herrick)
Go thou gentle whisp'ring wind (Carew)
When thou, poor excommunicate (Carew)
Have you e'er seen the morning sun (Hughes)
O tell me love! O tell me fate! (Hughes)
Beauty and love once fell at odds
O turn away those cruel eyes (Stanley)
As Celia rested in the shade: Dialogue (Carew)
John Hilton: Thou may'st be proud (Herrick)
Wilt thou forgive the sin where I begun? (Donne)
Am I despis'd because you say (Herrick)
Hand golden sleep upon her eyelids fair
If that I for thy sweet sake
You meaner beauties of the night (Wotton)
Rise, princely shepherd, and be arbiter: Dialogue
Charles Coleman: Wake my Adonis, do not die (Cartwright)
Bright Aurelia, I do owe
Wilt thou be gone, thou heartless man
Change, Platonics, change for shame
How am I chang'd from what I was
When Celia I intend to flatter you
Did not you once, Lucinda, vow: Dialogue
Simon Ives: Will Chloris cast her sun-bright eyes
Go bid the swan in silence die
Shepherd well met, I prithee tell: Dialogue
William Lawes: Why should great beauty virtuous fame desire (Davenant)
Why so pale and wan, fond lover? (Suckling: Aglaura)
No, no, fair heretic, it needs must be (Aglaura)
To whom shall I complain; to men or gods?
Pleasures, beauty, youth attend ye (Ford: The Lady's Trial)
Faith, be no longer coy
Gather ye rosebuds while ye may (Herrick)
Come Adonis, come away (Tatham)
Charon, O Charon! Hear a wretch oppress'd: Dialogue
William Webb: As life what is so sweet
Go and bestride the southern wind
Pow'rful Morpheus, let thy charms
Victorious beauty, though your eyes (Townshend)
Since 'tis my fate to be thy slave
Look back Castara from thine eye (Habington)
William Caesar (alias Smegergill): Blow gently passion in my fair one's breast
If any live that fain would prove
Forbear fond swain, I cannot love: Dialogue
George Jeffreys: Drowsy Phoebus, come away: Dialogue (Hausted: The Rival Friends)
Have pity, grief; I cannot pay (The Rival Friends)
Cruel! but once again (The Rival Friends)
John Atkins: Wert thou yet fairer than thou art
This lady ripe and fair and fresh (Davenant: The Just Italian)
When the chill Cherocco blows (Bonham)
I can love for and hour when I'm at leisure
Thomas Brewer: Mistake me not, I am as cold as hot
O that mine eyes could melt into a flood
Thomas Blagrave: What means this strangeness now of late? (Aytoun)
John Taylor: Tell me not that I die, or live by thee (Tatham)
Lay that sullen garland by thee
Thomas Charles: Why will you swear I am forsworn (Lovelace)
Jeremy Savile: I will not trust thy tempting graces (Stanley)
Edward Coleman: Why, dearest, should you weep (Cotton)
The glories of our birth and state (Shirley: Ajax and Ulysses)
John Goodgroome: Fret on, fond Cupid, curse thy feeble bow
Dost see how unregarded now (Suckling)
Lady Mary Dering: In vain, fair Chloris, you design (Dering)
Robert Smith: He that did ever scorn love's might
John Cave: Now Whitehall's in a grave (Lovelace)
John Gamble: The morning doth waste
Roger Hill: Admit, thou darling of mine eyes (Carew)
Alfonso Marsh: Ah Chloris! would the gods allow
Anonymous: Must your fair inflaming eye
If, when I die, to hell's eternal shade (Fowler?)
You meaner beauties of the night (Wotton)
Sing aloud harmonious spheres (Strode?)
Go thy ways since thou wilt go
Appendix: Like hermit poor (Lanier): synoptic text of variant versions
一般注記 Unfigured bass realized for keyboard instrument, guitar, or lute
Introd.: p. xv-xx ; textual commentary: p. 192-207
"Published for the Musica Britannica Trust established by the Royal Musical Association."
著者標目 Spink, Ian
件　名 FREE:For 1-5 voices and continuo
FREE:Part-songs, English
FREE:Songs with continuo
FREE:Vocal duets with continuo
FREE:Music -- England -- 17th century  全ての件名で検索
書誌ID 6000298459
ISBN 0852494742
楽器編成 For 1-5 voices and continuo

 類似資料

戻る