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Theory, analysis, and meaning in music / edited by Anthony Pople
| Material Type | Books |
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| Publisher | Cambridge ; New York, NY, USA : Cambridge University Press |
| Year | 1994 |
| Language | English |
| Size | xiv, 226 p. : ill. ; 23 cm |
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| Location | Volume | Call No. | Barcode No. | Status | Comments | ISBN | Printed | Restriction | Req Memo | Reserve |
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| 4F reading room |
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760.1/T | 1219905438 |
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| Contents | Metaphor in Roger Scruton's aesthetics of music / Naomi Cumming Competing myths : the american abandonment of Schenker's organicism / Robert Snarrenberg Rehabilitating the incorrigible / Marion A. Guck Criteria of correctness in music theory and analysis / Jonathan Dunsby Ambiguity in tonal music : a preliminary study / Kofi Agawu Systems and strategies : functions and limits of analysis / Anthonmy Pople Dibussy's significant connections : metaphor and metonymy in analytical method / Craig Ayrey Music as text : Mahler, Schumann and issues in analysis / Robert Samuels The obbligato recitative : narrative and Schoenberg's five orchestral pieces, Op. 16 / Alan Street Music theory and the challenge of modern music : Birtwistle's refrains and choruses / Jonathan Cross Répons : phantasmagoria of the articulation of space? / Alastair Williams |
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| Notes | Includes bibliographical references (p. 211-222) and index |
| Authors | Pople, Anthony |
| Subjects | LCSH:Music -- Theory
All Subject Search
LCSH:Music -- Philosophy and aesthetics All Subject Search LCSH:Musical analysis |
| Classification | LCC:ML3877 DC20:781/.1 |
| ID | 6000423900 |
| ISBN | 0521452368 |
| NCID | BA24091911 |
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