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Counterpoint and compositional process in the time of Dufay : perspectives from German musicology / edited and translated by Kevin N. Moll
(Garland reference library of the humanities ; vol. 1982 ; Criticism and analysis of early music ; v. 2)

データ種別 図書
出版者 New York : Garland Pub.
出版年 1997
本文言語 英語
大きさ xviii, 410 p. : ill., music ; 23 cm

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4F閲覧室
762.04/C 1219905435
0815323468

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内容注記 Essay: Dufay-creator of fauxbourdon / Heinrich Besseler
Toward a history of the genesis of fauxbourdon / Rudolf von Ficker
Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler
Harmony in the cantus-firmus compositions of the fifteenth century / Bernhard Meier
The " Tonal discant" and "Free Discant" techniques of composition in the fifteenth century / Ernst Apfel
The cantus-firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt
The origin of true four-voice counterpoint in England / Ernst Apfel
Four-voice counterpoint in the fourteenth and fifteenth centuries / Ernst Apfel
The harmonic structure of late medieval music as a foundation of major-minor tonality / Ernst Apfel
Late medieval harmonic structure and major-minor tonality / Ernst Apfel
Tonality and harmony in the french chanson between Machaut and Dufay / Wolfgang Marggraf
The effect of medieval english polyphony upon the development of continental cantus-firmus techniques and tonal structure / Ernst H. Sanders
一般注記 Includes bibliographical references (p. 369-394) and index
著者標目 Moll, Kevin N.
件 名 LCSH:Music -- 15th century -- History and criticism  全ての件名で検索
LCSH:Music -- 500-1400 -- History and criticism  全ての件名で検索
LCSH:Counterpoint -- History  全ての件名で検索
LCSH:Dufay, Guillaume, d. 1474 -- Criticism and interpretation  全ての件名で検索
分 類 DC21:782/.0092
書誌ID 6000449184
ISBN 0815323468
NCID BA35270865

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