Counterpoint and compositional process in the time of Dufay : perspectives from German musicology / edited and translated by Kevin N. Moll
(Garland reference library of the humanities ; vol. 1982 ; Criticism and analysis of early music ; v. 2)
データ種別 | 図書 |
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出版情報 | New York : Garland Pub. , 1997 |
本文言語 | 英語 |
大きさ | xviii, 410 p. : ill., music ; 23 cm |
所蔵情報を非表示
所在 | 巻 次 | 請求記号 / 配架番号 | 資料ID | 状 態 | コメント | ISBN | 刷 年 | 利用注記 | 資料請求用紙 | 予約 |
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4F閲覧室 |
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762.04/C | 1219905435 |
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0815323468 |
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書誌詳細を非表示
内容注記 | Essay: Dufay-creator of fauxbourdon / Heinrich Besseler Toward a history of the genesis of fauxbourdon / Rudolf von Ficker Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler Harmony in the cantus-firmus compositions of the fifteenth century / Bernhard Meier The " Tonal discant" and "Free Discant" techniques of composition in the fifteenth century / Ernst Apfel The cantus-firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt The origin of true four-voice counterpoint in England / Ernst Apfel Four-voice counterpoint in the fourteenth and fifteenth centuries / Ernst Apfel The harmonic structure of late medieval music as a foundation of major-minor tonality / Ernst Apfel Late medieval harmonic structure and major-minor tonality / Ernst Apfel Tonality and harmony in the french chanson between Machaut and Dufay / Wolfgang Marggraf The effect of medieval english polyphony upon the development of continental cantus-firmus techniques and tonal structure / Ernst H. Sanders |
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一般注記 | Includes bibliographical references (p. 369-394) and index |
著者標目 | Moll, Kevin N. |
件 名 | LCSH:Music -- 15th century -- History and criticism
全ての件名で検索
LCSH:Music -- 500-1400 -- History and criticism 全ての件名で検索 LCSH:Counterpoint -- History 全ての件名で検索 LCSH:Dufay, Guillaume, d. 1474 -- Criticism and interpretation 全ての件名で検索 |
分 類 | DC21:782/.0092 |
書誌ID | 6000449184 |
ISBN | 0815323468 |
NCID | BA35270865 |
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