OPAC

Counterpoint and compositional process in the time of Dufay : perspectives from German musicology / edited and translated by Kevin N. Moll
(Garland reference library of the humanities ; vol. 1982 ; Criticism and analysis of early music ; v. 2)

大阪芸大図書館

Location	Volume	Call No.	Barcode No.	Status	Comments	ISBN	Printed	Restriction	Req Memo	Reserve
4F reading room		762.04/C	1219905435			0815323468			Req Memo		Req Memo

Contents	Essay: Dufay-creator of fauxbourdon / Heinrich Besseler Toward a history of the genesis of fauxbourdon / Rudolf von Ficker Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler Harmony in the cantus-firmus compositions of the fifteenth century / Bernhard Meier The " Tonal discant" and "Free Discant" techniques of composition in the fifteenth century / Ernst Apfel The cantus-firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt The origin of true four-voice counterpoint in England / Ernst Apfel Four-voice counterpoint in the fourteenth and fifteenth centuries / Ernst Apfel The harmonic structure of late medieval music as a foundation of major-minor tonality / Ernst Apfel Late medieval harmonic structure and major-minor tonality / Ernst Apfel Tonality and harmony in the french chanson between Machaut and Dufay / Wolfgang Marggraf The effect of medieval english polyphony upon the development of continental cantus-firmus techniques and tonal structure / Ernst H. Sanders
Notes	Includes bibliographical references (p. 369-394) and index
Authors	Moll, Kevin N.
Subjects	LCSH:Music -- 15th century -- History and criticism All Subject Search LCSH:Music -- 500-1400 -- History and criticism All Subject Search LCSH:Counterpoint -- History All Subject Search LCSH:Dufay, Guillaume, d. 1474 -- Criticism and interpretation All Subject Search
Classification	DC21:782/.0092
ID	6000449184
ISBN	0815323468
NCID	BA35270865