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All the same the words don't go away : essays on authors, heroes, aesthetics, and stage adaptations from the Russian tradition / Caryl Emerson
(Studies in Russian and Slavic literatures, cultures and history)

Material Type	E-Book
Publisher	Boston : Academic Studies Press
Year	2011
Language	English
Size	1 online resource (xxvi, 422 pages)

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大阪芸大図書館

URL	Location	Volume	Call No.	Barcode No.	Status	Comments	ISBN	Printed	Restriction	Req Memo	Reserve
URL	E-Book	電子ブック（EBSCO: eBook Open Access Collection）		EB2200069			9781618111289			Req Memo		Req Memo

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Media type	機械可読データファイル
Contents	""CONTENTS""; ""PREFACE""; ""GREAT ART SHOULD SLOW US DOWN: â€œPARTICIPATIVE THINKINGâ€? IN THE WORLD AND AS THE WORLD OF CARYL EMERSON David Bethea""; ""1 POLYPHONY AND THE CARNIVALESQUE: INTRODUCING THE TERMS""; ""2 THE EARLY PHILOSOPHICAL ESSAYS""; ""3 COMING TO TERMS WITH CARNIVAL""; ""4 GASPAROV AND BAKHTIN""; ""5 FOUR PUSHKIN BIOGRAPHIES""; ""6 PUSHKINâ€?S TATIANA""; ""7 PUSHKINâ€?S BORIS GODUNOV""; ""8 GEORGE STEINER ON TOLSTOY OR DOSTOEVSKY""; ""9 TOLSTOY AND DOSTOEVSKY ON EVIL DOING""; ""10 KUNDERA ON NOT LIKING DOSTOEVSKY"" ""11 PARINI ON TOLSTOY, WITH A POSTSCRIPT ON TOLSTOY, SHAKESPEARE, AND THE PERFORMING ARTS""""12 CHEKHOV AND THE ANNAS""; ""13 FOREWORD TO RICHARD TARUSKINâ€?S ESSAYS ON MUSORGSKY""; ""14 FROM â€œBORIS GODUNOVâ€? TO â€œKHOVANSHCHINAâ€?""; ""15 TUMANOV ON MARIA OLENINA Dâ€?ALHEIM""; ""16 TCHAIKOVSKYâ€?S TATIANA""; ""17 LITTLE OPERAS TO PUSHKINâ€?S LITTLE TRAGEDIES""; ""18 PLAYBILL TO PROKOFIEVâ€?S â€œWAR AND PEACEâ€? AT THE MET""; ""19 SHOSTAKOVICHâ€?S â€œLADY MACBETH OF MTSENSKâ€?""; ""20 PRINCETON UNIVERSITYâ€?S BORIS GODUNOV""; ""21 â€œEUGENE ONEGINâ€? ON THE STALINIST STAGE""
Notes	All the Same the Words Don't Go Away brings together twenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres or media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of coexisting "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic co-exist in exhilarating ways that respect the competencies of each. --Book Jacket Includes bibliographical references and index
Authors	*Emerson, Caryl.
Subjects	LCSH:Russian literature -- History and criticism All Subject Search LCSH:Russian literature -- Adaptations -- History and criticism All Subject Search BISACSH:LITERARY CRITICISM -- Russian & Former Soviet Union All Subject Search BISACSH:DRAMA -- Russian & Former Soviet Union All Subject Search FREE:Russian literature FREE:Literary studies: general FREE:Criticism, interpretation, etc BSH:Electronic books
Classification	DC22:891.709
ID	ED00001252
ISBN	9781618111289