The chatter of the visible : montage and narrative in Weimar Germany / Patrizia C. McBride
(Knowledge Unlatched)
データ種別 | 電子ブック |
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出版情報 | Ann Arbor : University of Michigan Press , [2016] |
本文言語 | 英語 |
大きさ | 1 online resource |
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資料種別 | 機械可読データファイル |
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内容注記 | Introduction 1. Weimar-Era Montage: Perception, Expression, Storytelling 2. The Narrative Restitution of Experience: Walter Benjamin's Storytelling 3. Storytelling in the Age of Its Technological Reproducibility: Benjamin on Film and Montage 4. Narrating in Three Dimensions: László Moholy-Nagy's "Vision in Motion" 5. Narrative Resemblance and the Modernist Photobook 6. Abstraction and Montage in the Work of Kurt Schwitters Conclusion: Montage after Weimar |
一般注記 | "Examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers a historicized reappraisal of 1920s and 1930s German photomontage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it." Open Access English Includes bibliographical references and index digitized 2016 HathiTrust Digital Library Print version record Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2016 Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |
著者標目 | *McBride, Patrizia C., |
件 名 | LCSH:Electronic books FREE:History LCSH:Photography -- 1918-1933. -- Germany -- History 全ての件名で検索 BISACSH:ART -- History -- Modern (late 19th Century to 1945) 全ての件名で検索 FREE:Photography FREE:Germany FREE:1918-1933 |
分 類 | DC23:770.943 |
書誌ID | ED00004293 |
ISBN | 9780472121700 |