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Early film culture in Hong Kong, Taiwan, and Republican China : kaleidoscopic histories / edited by Emilie Yueh-yu Yeh
| データ種別 | 電子ブック |
|---|---|
| 出版者 | Ann Arbor : University of Michigan Press |
| 出版年 | 2018 |
| 本文言語 | 英語 |
| 大きさ | 1 online resource |
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| 資料種別 | 機械可読データファイル |
|---|---|
| 内容注記 | Introduction Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong 2. Magic lantern shows and screen modernity in colonial Taiwan 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 5. 'Guangzhou Film' and Guangzhou urban culture 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century 9. The silver star group : a first attempt at theorizing wenyi in the 1920s 10. Forming the movie field : film literati in Republican China 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) Chinese and Japanese glossary |
| 一般注記 | This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more Open Access English Includes bibliographical references and index Online resource; title from PDF title page (EBSCO, viewed February 21, 2018) |
| 著者標目 | Yeh, Emilie Yueh-yu, |
| 件 名 | BSH:Electronic books FREE:History FREE:Arts LCSH:Motion pictures -- China -- History 全ての件名で検索 LCSH:Motion pictures -- China -- Hong Kong -- History 全ての件名で検索 LCSH:Motion pictures -- Taiwan -- History 全ての件名で検索 LCSH:Motion picture industry -- China -- History 全ての件名で検索 LCSH:Motion picture industry -- China -- Hong Kong -- History 全ての件名で検索 LCSH:Motion picture industry -- Taiwan -- History 全ての件名で検索 FREE:Electronic, holographic & video art FREE:The arts: general issues BISACSH:PERFORMING ARTS -- Reference 全ての件名で検索 BISACSH:ART -- General 全ての件名で検索 FREE:Motion picture industry FREE:Motion pictures FREE:China FREE:China -- Hong Kong 全ての件名で検索 FREE:Taiwan |
| 分 類 | DC23:791.430951 |
| 書誌ID | ED00004310 |
| ISBN | 9780472123445 |