OPAC

Vesper and compline music for four principal voices / edited with an introduction by Jeffrey Kurtzman
(A Garland series)
(Seventeenth-century Italian sacred music in twenty-five volumes ; v. 14)

データ種別	楽譜
出版者	New York : Garland Pub.
出版年	1998
本文言語	ラテン語
大きさ	1 score (xxvii, 250 p.) ; 29 cm

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大阪芸大図書館

所在	巻　次	請求記号　/　配架番号	資料ID	状　態	コメント	ISBN	刷　年	利用注記	資料請求用紙	予約
(芸大) 3F書庫楽譜 MD		/　MD9-E046	1239800430			0815324200		禁帯出	資料請求用紙		資料請求用紙

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資料種別	楽譜（印刷）
内容注記	Domine ad adiuvandum : 1630 / by Giovanni Battista Biondi da Cesena Domine ad adiuvandum : 1653 / by Maurizio Cazzati Domine ad adiuvandum : 1698 / by Isabella Leonarda De profundis : 1600 / by Lodovico Viadana In te Domine speravi : 1609 / by Agostino Agazzari Dixit Dominus : 1610 (1609) / by Antonio Cifra Credidi : 1620 (1614) / by Giovanni Francesco Anerio Beati omnes : 1630 / by Giovanni Battista Biondi da Cesena Laudate pueri : 1650 / by Chiara Margarita Cozzolani Laetatus sum : 1652 / by Tarquinio Merula Laudate pueri : 1653 / by Maurizio Cazzati Magnificat : 1663 / by Maurizio Cazzati Dixit Dominus : 1654 / by Giovanni Legrenzi Iste confessor : 1674 (1673) / by Bonifazio Graziani
一般注記	With instrumental ensemble or continuo Latin words Includes bibliographical references Figured bass realized for keyboard
著者標目	Agazzari, Agostino, 1578-1640 Anerio, Giovanni Francesco, 1567-1630 Graziani, Bonifazio, 1604 or 5-1664 Biondi, Giovanni Battista, fl. 1605-1630 Cazzati, Maurizio, ca. 1620-1677 Cifra, Antonio, ca. 1584-1629 Legrenzi, Giovanni, 1626-1690 Kurtzman, Jeffrey Gordon, 1940- Leonarda, Isabella, 1620-1704 Cozzolani, Chiara Margarita, 1602-ca. 1677 Viadana, Lodovico da, ca. 1560-1627 Merula, Tarquinio, d. 1665
件　名	FREE:For mixed voices and instrument ensemble -- For mixed voices and basso continuo 全ての件名で検索 LCSH:Compline music LCSH:Vespers LCSH:Sacred vocal quartet with instrumental ensemble -- Scores 全ての件名で検索 FREE:Sacred vocal quartet with continuo -- Scores 全ての件名で検索
書誌ID	6000442640
ISBN	0815324200
NCID	BA3978740X
楽器編成	For mixed voices and instrument ensemble -- For mixed voices and basso continuo