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RT Book, Whole SR Electronic DC OPAC T1 Dynamics of Architecture in Late Baroque Rome. Cardinal Pietro Ottoboni at the Cancelleria A1 Olszewski, Edward. YR 2015 SP 1 online resource (155 pages) K1 Late Baroque architecture, architectural patronage, Roman palace architecture K1 History of the arts K1 Architecture K1 History (General) K1 Architecture K1 Electronic books K1 Electronic books SN 9783110452457 SN 3110452456 SN 3110452464 SN 9783110452648 SN 3110452642 SN 9783110452464 LA English (英語) CL DC23:720 NO This is the first study to characterize the architectural patronage of Cardinal Pietro Ottoboni (1667-1740), and to identify twelve architects during his half century of patronage in his Ecclesiastical court of the Cancelleria. Most eminent among them were Filippo Juvarra and Domenico Gregorini. Commercial and private theaters in the palace are located from archival data, room measurements, drawings, diary accounts, Correspondence of the French Academy, and palimpsests of architectural details. The size, shape, appearance, capacity, and location of Filippo Juvarra's theater are discussed. Archival documents are cited to reveal why, how, and when it vanished. Detailed analysis is devoted to Juvarra's stage construction with its elaborate sets and moving apparatus. In his official function as Vice-Chancellor of the Church, it is well known that Ottoboni was positioned as a major patron of music, theater, and painting in late Baroque Rome. He was a librettist for oratorios performed by his resident composer, Arcangelo Corelli, and by Alessandro Scarlatti in venues in the palace, and in his basilica of San Lorenzo in Damaso, located in the palace grounds. His resident painters included Francesco Trevisani and Sebastiano Conca. He completed the construction of Bernini's Confessione in the nave of his basilica. As the sponsor of the Arcadian Academy, Ottoboni dictated taste in Roman cultural circles. His involvement in the competition for the façade of St. John Lateran is amplified. A grand overview is provided for the cardinal's commission of devotional machine constructed to rival the Lenten carnivals. As ephemeral constructions, and normally ignored liturgical phenomena, these are explored in detail for the first time. Edward J. Olszewski, Case Western Reserve University, Cleveland, Ohio, U.S.A NO Open Access NO English NO Includes bibliographical references and index NO 書誌ID=ED00002065; LK [E Book]https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2945177 OL 30