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RT Book, Whole SR Electronic DC OPAC T1 Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / Chloe Porter T2 Knowledge Unlatched. T2 Open Access e-Books. A1 Porter, Chloe, YR 2013 FD 2013 FD [2013] SP 1 online resource (viii, 230 pages) K1 English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism K1 English drama -- 17th century -- History and criticism K1 Art and literature -- 16th century. -- England -- History K1 Art and literature -- 17th century. -- England -- History K1 Material culture in literature -- 16th century. -- History K1 Material culture in literature -- 17th century. -- History K1 Visual perception in literature K1 Art in literature K1 Unfinished works of art K1 Iconoclasm in literature K1 LITERARY CRITICISM -- Drama K1 Visual perception in literature K1 Art and literature K1 Art in literature K1 English drama K1 English drama -- Early modern and Elizabethan K1 Iconoclasm in literature K1 Material culture in literature K1 Unfinished works of art K1 Drama K1 Englisch K1 Unvollständigkeit K1 England K1 Electronic books K1 Criticism, interpretation, etc K1 History K1 1500 - 1699 PB Manchester University Press PB Palgrave Macmillan PP Manchester PP New York, NY SN 9781847798916 SN 1847798918 SN 9781526103277 SN 1526103273 LA English (英語) CL DC23:822.309 NO Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history NO Open Access NO English NO Includes bibliographical references (pages 202-226) and index NO Print version record NO 書誌ID=ED00003637; LK [E Book]https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1259896 OL 30