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RT Book, Whole SR Electronic DC OPAC T1 Alienation effects : performance and self-management in Yugoslavia, 1945-91 / Branislav Jakovljević T2 Theater: Theory/Text/Performance A1 Jakovljević, Branislav, YR 2016 FD 2016 SP 1 online resource K1 Socialism and the arts -- 20th century. -- Yugoslavia -- History K1 Performance art -- 20th century. -- Yugoslavia -- Political aspects -- History K1 Performance art -- 20th century. -- Yugoslavia -- Social aspects -- History K1 PERFORMING ARTS -- Reference K1 PERFORMING ARTS -- Theater -- General K1 Performance art -- Political aspects K1 Socialism and the arts K1 Yugoslavia K1 Electronic books K1 Electronic books K1 History K1 1900-1999 PB University of Michigan Press PP Ann Arbor SN 9780472121984 SN 0472121987 SN 9780472900589 SN 0472900587 LA English (英語) CL DC23:791.09497/09045 NO Exciting new scholarship has been emerging as performance studies scholars begin to turn their attention to the performance of politics, nationhood, and jurisprudence. Branislav Jakovljevic's project on the history and eventual demise of the former Yugoslavia demonstrates how fruitful this approach can be. Jakovljevic considers the concept of theatricality as central to understanding the events that took place in Yugoslavia. He examines the country's trials, state ceremonies and festivals, army maneuvers, propaganda, and pop culture as "rehearsals and temporary enactments of an ideologically formulated future." His first chapter reveals the surrealist, avant-garde origins of key members of the Yugoslav bureaucracy after WWII, suggesting that those connections helped the culture of socialist Yugoslavia become a performance-centered culture. Continuing to explore the relationship between the political avant-garde and the artistic avant-garde, he looks at the spectacle of student demonstrations in Belgrade in 1968, and, in their aftermath, the rise of performance art in the country. The third chapter (included here) zeros in on the various political performances of Slobodan Milosevic, including his courtroom testimony at the ICTY, the International Criminal Tribunal for the former Yugoslavia. The fourth chapter discusses the "Peter Handke Affair," when the Austrian playwright had a major prize revoked after he attended Milosevic's funeral and recited a poem he had written in Milosevic's honor NO Open Access NO English NO Includes bibliographical references and index NO Print version record NO 書誌ID=ED00004271; LK [E Book]https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1296162 OL 30